Critical Analysis of Golding’s Use of Tone in Lord Of The Flies :: Free Essay Writer

Critical Analysis of Goldings Use of Tone in Lord Of The FliesWhen viewing the atrocities of todays world on television, the starving children, the wars, the injustices, one cannot aid but think that evil is rampant in this day and age. However, people in society must be aw are that evil is not an outer force embodied in a society but resides within each person. Man has both good qualities and faults. He must come to run into these faults in order to be a good person. In the novel Lord of the Flies, William Golding deals with this same evil which exists in all of his characters. With his mastery of such literary tools as structure, syntax, diction and imagery, The author creates a cheerless, sardonic tone to convey his sustain views of the nature of man and mans role within society. The white plague of diction is powerful, with the gripping use of treatments and description. Golding creates tension and reinforces his theme and tone with the use of specific linguistic process. Many are connotative and therefore create a story abundant in meaning and symbolism. Golding uses colors such as pink to symbolize particular things such as innocence, as shown in the piglets and the island. The word yellow makes the reader think of the sun, enlightenment and Ralph the words black and red bring to mind evil, blood and Jack. With the use of words the author also creates the novels own private symbols that are key to the tone. The conch comes to symbolize authority, democracy and order. Upon the mentioning Piggys glasses, images of insight and reason come to mind. With this highly connotative language, Golding creates many contrasts as well to convey his implicit in(p) theme. He compares the dazzling beachs pink granite Page 12, green feathered palm trees and endless sand Page 10 to the darkness of the forest, full of broken trunks, cables of creepers page 28, and dense vegetation. He also compares the days torrid sun Page 176 to the night which makes everything as d im and strange as the bottom of the sea Page 62. The lagoons security and the dangerous open sea are also contrasted when Golding qualifies them as still as a mountain lake Page 10, dark blue Page 31 and deep sea page 62. Golding also uses dark and inherently bad words such as dark, Jack, broken, torrid, coarse and splintered to describe sinister things and euphonious words such as feathers, glittering weight and Ralph to describe more peaceful things.